Please give a warm welcome to WG2E Guest – DV Berkom – who’s got a fabulous post for our WG2E Write Well Series!
Take it away, DV…
I’ve seen the word strike fear into the hearts of many beginning writers and those well-seasoned. The bad can leave you writhing in agony. The good is worth its weight in gold.
Yes, I’m talking about critique groups.
The first thing to know about critique groups is it all depends on who’s doing the critiquing. Unless you have masochistic tendencies, DO NOT give your first attempt at a fantasy novel to a librarian who prefers hardboiled mysteries, friend though she may profess to be (I still remember the red ink- as though blood streamed across the pages, pooling at midpoint…)
Alternately, you should run like the wind if the person to whom you were thinking of handing your opus says something along the lines of, “I normally don’t like to read, but I’d have a go at your stuff…”
You’ll want to carefully vet those you allow first access to your babies. Make sure they have at least one of the following qualities before taking the critique plunge:
- They’re well-read, preferably in more than one genre. If not, they’re never going to understand why you can’t make your international thriller involving Al Qaida operatives a sweet little romance…
- They should know the difference between the following lines: “You could drive a truck through this freaking plot hole” and, “The plot could use a little more clarification here” or, “You might want to rethink this section because…”
- Knowledge of the Oreo cookie style of critique: indicate where their writing needs work and why (the cookie part), add something praiseworthy (the delicious filling), followed again by mentioning something that needs fixing (cookie again). Note: this style of critique has been described where praise is the cookie part, but in my experience too much nice doesn’t work.
- It helps if they’re writers themselves, as they’ll understand the torture you put yourself through in order to write a coherent sentence
- A person with access to a chef or well-stocked wine cellar is a huge plus and may trump any the above
You might be lucky enough to find a group of writers at varying levels of mastery who will be as vested in your work as you are. It’s possible. I’m living proof.
My critique group consists of a core of four writers. Each delves into different genres: one writes sweet, romantic short stories, erotica and full-length paranormal. Another prefers Christian and contemporary romance. The third writes time-travel romance and thrillers. I write mystery/suspense and thrillers, with a little satire thrown in for good measure. We’ve been together for years and have gone through several metamorphoses. Discussions are interesting, to say the least.
Unpublished when we first came together, we are now all published; e-press, self-published, or traditionally, and all are selling well. We’ve seen each other through rejections, acceptances, good and bad reviews, deaths, financial struggles and everything in between. They’re the first to read anything I write and I value their input enormously. Where else will someone tell you, “You can’t kill them like that. Here’s how I’d do it…”
The cohesiveness of the group didn’t happen overnight and we’ve had a couple of other members come and go, but the four of us have persevered. Discussion can get pretty heated over things like description, character motivation and backstory, but in the end, everyone cares and that’s what counts.
When you find a group like that, the dreaded c-word isn’t quite so dreadful.
What About You, WG2E-Land Peeps? Tell us about your C Word Experiences — DV Berkom
DVBerkom.com Action. Adventure. Suspense.
DV Berkom is no stranger to reading and writing fast-paced, exciting stories. Having grown up on a steady diet of spy novels, James Bond movies and mysteries, her natural inclination is to keep the reader on the edge of their seats and guessing until the last page.
She grew up in the Midwest, received her BA in Political Science from the University of Minnesota and promptly moved to Mexico to live on a sailboat. Several years and at least a dozen moves later, she now lives outside of Seattle, Washington with her sweetheart Mark, an ex-chef-turned-contractor, and writes whenever she gets a chance.